Relevant Complexity 2) Hobbies

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Until last year I absolutely didn’t get ‘hobbies’. Now I am persuaded hobbies maketh the man. The big mistake in life, I reckon – observing overwork, depression and recession hitting even the most high powered of my friends – is to have your work completely define who you are.

As Aristotle said: All paid jobs absorb and degrade the mind.

Sure we all have to earn a living. And if a trick of fate and a twist of ability take us to major responsibility, so be it. But a wider reading of Aristotle suggests no man can be ‘excellent’ who only works; much less ‘happy’.

Who we really are is often better indicated by what we do for leisure and pleasure. Of course being a ‘wage slave’ doesn’t always leave much space or time – and in antiquity, for most, there’d have been no time for leisure or pleasure at all.

But what we ‘freely’ do is a window to a person’s soul. Or perhaps better – as a typing mistake just suggested – a window to a persons ‘souk’: the bazaar of stuff we do and like.

A lot of hobbies are conventional: sports, music, walking, reading and none-the-worse for that. Some are apparently bonkers. I know a man who has laboriously constructed a scale railway in his back garden which his own daughter is forbidden to touch.

Some hobbies are sociable – choirs, ensembles, ramblers. Some are quite solitary – stamps and the myriad forms of collecting. Some border on sociopathic – travelling football fans notably. But what they all have in common is they endlessly fascinate the aficionado and generally bemuse the disinterested onlooker.

Of course once you spot it, the driver is ‘complexity’. Hobbies enable us to collect deep knowledge, unique complex skills and relevant (at least to obsessive) complexity. Hobbies are Csikszentmihalyi’s ‘flow’ par excellence – high challenge met with high skill.

“Who scored the winner against Scunthorpe in 1974?”, “What was the printing error in the 4d Commonwealth Games commemorative stamp?”, “What’s the winter plumage of that bird?”, “Can you play Schubert?”, “Is that a class 47 locomotive?”, “Is that a Bordeaux or a Burgundy?”

All of of these bring ‘flow’ to the expert. They are validated, either, by one’s personal appreciation of oneself or the appreciation of the ‘community’ of expert practitioners, fruitcakes and obsessives who share our particular interest.

But the art of life – and hobbies – I think is to weave together our passions with the other things we care about: family, friends, communities. There is joy to be had in literally any hobby – with practice we progress and develop mastery of its complexity.

As Aristotle said: ‘Excellence is an art won by training and habituation. Excellence, then, is not an act but a habit. [Or maybe a hobby?].

But there is also a trap – eccentricity and sheer oddness. The trick is in making at least some of our hobbies cohere into ‘relevant complexity’ so they define and develop us as much as our work does.

A friend described how he and his teenage son seek the ultimate ‘fried breakfast butty’ every Saturday. It’s about the only thing which always brings them together; relevant complexity. Building a garden railway, for me at least; irrelevant complexity. Writing for pleasure, relevant; long stints staring at the telly, irrelevant.

Albeit, as Aristotle said: different men seek after happiness in different ways, I think sewing (or knitting for my other half) ‘relevantly complex’ hobbies into the fabric of our lives is essential to properly embroidering life’s rich tapestry.

As Aristotle said of education, but might have said of hobbies if he’d read Csikszentmihalyi:

Education is [Hobbies are?] an ornament in prosperity and a refuge in adversity.

And

Education is [Hobbies are?] the best provision for old age.

But, of course, who am I to say. As the great Greek also points out:

Happiness depends upon ourselves.

And the fact I am secretly proud that I know what a Class 47 locomotive is, shows the perils and pleasures of hobbies. Keep it relevant.

Note to Self

20111217-121831.jpgI came upon a terse description of ‘identity’ this week in a longer piece by neuroscientist Terrence W. Deacon of USC Berkeley:

An intrinsic tendency to maintain a distinctive integrity against the ravages of increasing entropy as well as disturbances imposed by the surroundings.

He was describing the way molecules come together in sympathetic, then symbiotic relationships to form ‘auto-catalytic’ processes – where one chemical reaction feeds, and is fed by another. But deliberately he was defining ‘self’ in a way which embraces chemicals, bodies and minds.

I watched a chilling piece on the news last night about Alzheimer’s, with an awareness raising TV ad portrays sufferers fading through transparency to invisibility. Another of Deacon’s definitions – intended for chemicals, is as true of minds:

To be truly self-maintaining, a system must contain within it some means to ‘remember’ and regenerate those constraints determining its integrity which would otherwise tend to dissipate spontaneously.

Which leads me to the conclusion that:

After Aristotle, as moral animals, we are what we repeatedly do.

After Aquinas and McCabe, as linguistic animals, we are what we think, say and write.

And after Deacon, as forgetful animals – sometimes helpfully, sometimes tragically – we are what we can remember against the ravages of entropy, the environment and time.

All the more reason to write the odd reminder I think.

Digital Art

20111120-180755.jpgAs I’ve written before, the job of the poet is to say something transcendent and universal about the human condition – in no fewer or more words than are needed. It’s the liberating, inclusive and motivating definition of poetry from Aristotle.

And I think it applies to the other arts too – no fewer or more brushstrokes, musical notes, dance steps and now maybe pixels.That’s why I like s[edition]art the new digital art marketplace.

I bought a Damien Hirst (a piece is to the left) on Thursday. Number 54 of a limited edition of 10,000. I have a digital certificate of ownership which says so. Talking about it to an expert in visual arts on Friday, she asked me why? Why bother, why pay, what’s the attraction, what’s to stop people copying them, is it just a scam?

I think it’s similar to the way Aristotle has changed my views on charity. It’s not about being ‘seen’ to give – that’s Aristotle’s virtue of magnificence. Charity is the entirely personal internal feeling of doing the right thing – connecting with a cause and doing something about it, however small.

I think that’s why digital art works for me. It involves some appreciation, some choosing, some discernment, connecting and empathising with the artist and personally recognising – in a small way – the value of their art.

As I said to another arts expert on Friday, I think the ‘art of life’ lies in developing and exploring ‘relevant complexity’ – intricacies which embroider existence, refine judgement and develop character. For art, walking a gallery is one way. Browsing and buying in a virtual one is another.

£7.50 is a small price to pay in recognition of an artist’s attempt at a statement on the human condition. I think Digital art – along with digital poetry – is here to stay.

Of Angels

20111105-201745.jpgSmarting from the accusation I seldom read the source, I’m wading through Aquinas at present. Corblimey he’s obsessed with some things well beyond my interest. But that’s because I’m reading him for his ethics, and he’s writing a science book as far as he’s concerned.

Summae Theologica is, I come to realise, describing Aquinas’ views on how the world, universe, animals, minds, substance and energy all work – the lot.

Not surprising then he spends considerable time on causation – what causes what, what is primary, what is secondary and what is ‘higher’ and ‘lower’, what is an ‘operation’ what is a ‘state’.

His method is famously rigorous: three or four well sourced views on a theme, his own judgement and an answer to the opening views.

I think he quite carefully integrates a humanist perspective with a religious one. At times he acknowledges tantalisingly what ‘would’ be the case if there was no God – Aristotle ‘would’ be right on human happiness for instance he says.

After Aristotle, he concurs that our ‘end’ is indeed happiness. But we achieve happiness imperfectly in our mortal lives. We achieve it most in contemplation. In contemplation of what though?

For Aquinas, of course, that would be God. But contemplation of God is, he acknowledges, tricky. Not least as He is infinite and Our reason is finite. We’re snookered from the off.

What to do? It could be worse. Animals are even further from God than we are. They lack our intellect and capacity for reason and thought and so can’t contemplate God at all.

Aquinas explicitly acknowledges that nature has fitted us and animals with desires and emotions to further our own survival and that of our species – positively Darwinian. But they are ‘beneath’ us and we are a rung down from – you guessed it – Angels.

God tops Angels of course, but each in the chain comes closer to ‘perfection’ and achieves ‘happiness’ most by ‘touching’ the one above.

I’m not sure how many farm animals would agree they are ‘perfected’ and happier ‘touching’ humans. Perhaps a well trained sheepdog. But we humans can attain greater happiness in the use of our more ‘perfect’ power, namely contemplation. And among the things we can happily contemplate are Angels.

Now this is a thought I can honestly say I have never had. Beyond the one on top of the Christmas Tree and my daughter in the school nativity, I have never spent any time contemplating Angels. Perhaps I should?

But the point I take from Aquinas and Angels is this: contemplation, seeing beauty around us and perfecting and developing our human capacities, skills and aptitudes is where Earthly happiness lies.

Csikszentmihalyi comes to mind. As I said to someone last weekend it’s all about adding ‘relevant complexity’ to our lives and personalities.

And I think this is what Aquinas is getting at too. A life of virtue, self-improvement and integration of the body, soul and mind might mean at the end of it all, the ‘bottled essence’ of us – probably in frail and wizened form – is a shimmering soul ‘touching’ that of an Angel.

Philia

I do feel – and feel is the right word – that Herbert McCabe’s ‘On Aquinas’ deserves a wider audience. So many important themes, from so many thinkers, rendered limpid in a thesis all of his own.

Of course there’s Aristotle in there. And as the title suggests, we are constantly accompanied by Aquinas. But, for me, it’s Herbert McCabe who shines through as having put together his own picture of what constitutes the human condition, in what I’d take as a summation of his life’s work.

I noted yesterday that people read more pulp fiction on Kindles than they’d dare have on their bookshelf or be seen reading in public. But the opposite is also the case. Truth is I’d never have found Herbert McCabe or bought his book without the web, connected devices and impulsive instant gratification via electronic delivery.

McCabe makes a powerful case for ‘philia’, mutual care and fellow-feeling, as the right basis for our relationships – not the functional rights and duties of justice and the law.

Justice is the minimum duty we owe to ‘strangers’, ‘philia’ is the care, respect, love, friendship, reasonable accommodation and interdependence we have with other people which constitute ‘humanity’ and ‘society’. Laws imperfectly capture the statutory minimum, ‘philia‘ is the gold standard for people, politics and society.

Stood on a grey suburban station platform this morning (the car’s bust again) I looked at the different shapes and sizes of punters, mums and pinstriped professionals all focused on getting their train. There were moments of ‘philia’. A shy ‘See you tomorrow‘ to the man serving a women her daily coffee, a jolly exchange between Ticket Collector and middle aged vamp.

Through the lens of ‘philia’ people look different. We judge less, tolerate more and look beyond face value. McCabe was right to remind us of this.