Ye gods!

I’m really enjoying Terence Green’s ‘Philosophical Haikus’ in Philosophy Now… Bitesized chunks of wit and wisdom which make you think. This month’s is on the controversial economist Friedrich Hayek.

The full text is down below (and I’m hoping Terence and Philosophy Now will forgive me as I do recommend a subscription to what one of my favourite reads).

But the bits which got me thinking are these:

…humankind is possessed of a singular desire to control: to control our environment, to control society, to control other people (cf Nietzsche’s will-to-power). Control is hoped to be a way of ridding ourselves of uncertainty; and more than anything else, human beings are troubled by uncertainty.

This speaks to the worries and anxieties we all endlessly lock onto: the Existentialist ‘lack’, Buddhist ‘clinging’ and the endless ‘control dramas’ of interpersonal relations. We are both bored by and possessive about what we have, fear what we don’t know and worry constantly about other people and the future.

We’re all about control.. are we beyond help?

But, said Hayek, this belief [in control] is just hubris – the sort of arrogant over-confidence for which the Greek gods were always punishing people. In the absence of the gods, we’re punished by the circumstances we create.

Maybe the answer is, mentally, to bring back those Greek gods – capricious, mercurial, tempters and temptresses, spiteful and unpredictable; but ultimately (kind of) on our side.

If life was unavoidably a rollercoaster ride of being tossed about by Zeus and the others, perhaps we might enjoy it more. Let go of the illusion of control and it’s unalloyed fun when it’s going well and less painful when things go badly; it’s all in the lap of the gods.

After all, chance seems to be beating control hands down in 2020.

Amor fati as Nietzsche said.

Philosophical Haiku

Friedrich Hayek (1899-1992)
by Terence Green

“Reason’s poverty,
Man’s desire to control –
This road walks the serf.”

Hayek’s reputation as an economist and political philosopher has suffered on account of his popular but vitriolic and unbalanced rant against state power, The Road to Serfdom (1944). In it he argued that even mild, well-intentioned attempts at central planning will inevitably slide towards authoritarianism. The book was appropriated by the worst zealots of neoliberalism. But there remains much wisdom in the fundamental points he returned to time and again.

The Enlightenment bequeathed to us a seemingly unshakable confidence in the capacity of human reason. Reason sets us apart from the beasts and gives us the power to shape our world after our own designs. It matters not that history is littered with the burnt-out wrecks of infallible schemes for the creation of the ideal society: we still cling to the belief that by the application of reason we can diagnose the illness and prescribe the cure for the human condition. Indeed, this belief is the very foundation of modern government. Every policy a government introduces is predicated on rational analysis, with the assumption that the policy will produce the desired effects. Along with this faith in reason, Hayek claims, humankind is possessed of a singular desire to control: to control our environment, to control society, to control other people (cf Nietzsche’s will-to-power). Control is hoped to be a way of ridding ourselves of uncertainty; and more than anything else, human beings are troubled by uncertainty. We wish to alleviate the pain of not knowing, and believe we have the ability to do so. But, said Hayek, this belief is just hubris – the sort of arrogant over-confidence for which the Greek gods were always punishing people. In the absence of the gods, we’re punished by the circumstances we create.

For Hayek in 1944 there was a broader context – of fascist and communist totalitarian regimes, that justified their murderous actions on the basis that they knew how to create the perfect society. Even if you start out with impeccably admirable intentions, any government that seeks to reshape society on the basis of some ideal blueprint will risk turning its citizens into slaves in order to realise that ideal. There cannot be a single right way to live or to organise society; and even if there were, we can never know enough or be wise enough to bring it into existence. It’s a thought worth pondering.

© Terence Green 2020

The Houses of Parliament

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Every morning, close to the end of my cycle to work, Westminster Bridge looms ahead. Hardly Mount Ventoux the Tour de France killer but still a thigh sapping incline, before the crest and lethal descent…

Why a lethal descent? Two lanes into three, accelerating downhill, buses cutting across from the inside to the right turn filter, rubble trucks, taxis, motorbikes and assorted cyclists of all abilities – plus three lanes of fast oncoming. Every morning I look at it and think: if I am to day today it will be here. RIP.

Still I’ve survived it for over a decade, so chin up. And a daily reminder of how trivially it could all end helps with Nietzsche’s injunction to ‘live as a work of art’ and Sartre’s to ‘own’ our uniqueness. Wise words.

But the best bit of briefly reprising Tommy Simpson’s epic climb of Ventoux, is the cresting of Westminster Bridge as the Houses of Parliament emerge from the brow of the artificial hill.

What majesty, what poesy, what flights of fancy in decor. Low spring sun glints off the leaded windows and lights the gold adornments. Summer breezes flutter the Union Jack proudly. Even winter fogs progressively reveal its Victorian aspect and evoke ‘pea soupers’ of the Industrial Age.

Turner saw the original burn (his painting from the Tate above) but what a Phoenix rose from those ashes. It cheers me every day and keeps me pedalling in sun, rain or showers.

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Amor Fati

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This week, my mind was briefly boggled by this most detailed ever picture from a space telescope. It purports to show 200,000 galaxies.

Our nearest star – on the most optimistic estimates – would take some 10,000 years to visit. And that’s one star, in the billion, in one galaxy, of the 200,000, you can see in this picture. Make you feel just a little insignificant.

On the same day into my inbox dropped a relevant entry, in the self-styled ‘Intellectual Devotional’ I get by email from dailylit.com. Duff title but there is the odd cracker in there.

‘Transcendent Significance’ is a good one. We all like to think our lives have a transcendent significance. Hence narcissism, religion, artistry, poetry, politics… and Nietzsche.

Why Nietzsche? Because one answer to transcendent significance according to the Intellectual Devotional is:

The doctrine of “eternal recurrence”, which posits that the universe has been recurring, and will continue to recur ad infinitum, in a self-similar form. Rooted in Indian and Egyptian philosophy, and taken up by the Pythagoreans and Stoics, with the fall of antiquity and the spread of Christianity, the concept of was gradually lost.

Enter Nietzsche who gave “eternal recurrence” a second chance, as a reason to affirm life in the face of a world without God:

“My formula for human greatness is amor fati: that one wants to have nothing different, not forward, not backward, not in all eternity. Not merely to bear the necessary, still less to conceal it… but to love it.”

I’m not sure I can go the whole hog on Nietzsche – and want nothing different in all eternity. But I can have a decent crack at wanting nothing different in the here and now.

Is there a better place in those 200,000 galaxies? Maybe, but probably not. Has there been a better time to live in human history? Almost certainly not. Healthy happy middle age on planet earth in the 21st century has its compensations. Amor fati – what’s not to like?

Strawberry

20111113-150850.jpgI’ve discovered Philosophy Now via Kindle. And a find it is too. This month’s edition delves into the Philosophy of Mind which I studied twenty odd years ago. What’s new? Quite a lot. But, also, quite a lot is not.

Neuroscience is the new 200lb gorilla on the scene. Is philosophy, contemplation and introspection irrelevant when you have brain scanners and MRI? The argument cuts both ways. Reductionism says its a simple case of describing something complex. I used to agree, now I’m less sure.

Before cosmology we harboured intuitive, and often mystical, beliefs to explain sun, moon and stars. Then telescopes were invented and we moved on to facts and evidence. Aristotle imagined ‘biles and humours’ drove the body, until medicine discovered intricate circulatory and nervous systems. Reductionists say we’ll get over our belief in ‘consciousness’, ‘intentions’ and ‘ideas’ once the science advances enough to describe ‘brain states’ better.

The alternate thesis – much more where Aquinas, Kierkegaard and Nietzsche might land – is that describing a TV’s wiring misses what’s on screen. The ’emergent phenomenon’ is a living feeling being, living a unique life, intimately connected to other living feeling beings, all equally unique but interdependent with each other.

It comes down to complexity in the end. A computer or iPhone full of data apparently weighs fractionally more than an empty one. But it is only fractionally more. I read the entire ‘weight’ of data contained in the Internet could easily be stored in the mass of a strawberry. But the ‘knowledge’ exists in myriad computers, data centres and browsers interlinked with myriad minds.

In one way a strawberry already contains a nearly perfect dataset to describe humans. In its DNA it describes carbon-based life, an oxygen rich atmosphere, the rise of flowering plants – and who knows, maybe, some clues to cultivation. It is already bursting with data, just of a ‘natural’ flavour.

And this is the point for me. Let’s imagine we could load the entirety of human culture, knowledge and experience into a strawberry and fire it into space. Billions of years on, when our planet has long since expired, suppose an alien civilisation finds it. From which would they learn more about living as a human being – reading the data locked in the atomic structure of the strawberry, or simply eating it?

Cathedral or Cave

I imagine Aristotle, like the Acropolis, as more Cathedral. The reclusive poet Emily Dickinson would be more cave. Montaigne, perhaps old Paris; earthy rumbustious streets and deep reflective catacombs.

I’ve been toying with Nietzsche’s idea that our ‘will to power’ is either expressed in the real world or forcibly turned in. For him, we create a complex inner life in proportion to the scale of our drive we cannot express externally.

It’s an interesting thought. Complex interesting people tend to have a good deal of both – rich inner lives and fulfilling outer ones. But not always. Nietzsche credits civilisation with curbing the capacity to express our animal instincts externally – driving them inwards. This unexpressed energy drives our inner lives – our conscience, guilt and creativity.

I think regularly about the balance of inner and external. I don’t feel I have the ‘will to power’ for a full ‘Cathedral’ in the external world. Too much competition, conflict, one-upmanship and strife in seeking grandeur. I fear I’d lose my health, precious time with my family and my happiness if I allowed a ‘grand projet’ or personal aggrandisement to consume me.

Talking to a friend – who is a decade older than me – this week, I felt a bit guilty. He has real fire in his belly for systemic reform, transformational change and the great debates of public policy. I said I’m just not attracted to any of that right now.

We talked about using your talents and our responsibility to improve the lot of others. He started his career as a lone residential social worker, on a tough housing estate. Beer bottles bounced off the cage that surrounded his outpost all night. That’s where his fire still comes from. It drives him to want to improve the scaffolding and superstructure of the nation’s health and social care system.

I don’t have that. I’m more a family chapel with a good sized intellectual cellar. My projects are more local and small scale – my family, the people around me. But never say never. The world is an unpredictable place. Gaudi started with lampposts and squat schoolhouses, so I suppose you never really know what you might build one brick at a time.