Narrative or Episodic

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I like (as do many others) the notion of lives as narratives. Interesting then to read a contrary view from my old philosophy tutor Galen Strawson – Against Narrativity.

He poses the question: is there really that much evidence that we are narrative beings? And if not, is it really so desirable – in terms of living a good life – that we seek to be?

What’s wrong with enjoying life as a smorgasbord of varied experiences and events. Does it all have to submit to the tyranny of a unifying narrative?

I was talking about this today. And as so often when you pick-up on something new – it then pops up everywhere. In my inbox this evening I find good old Montaigne on the same subject:

Our chiefest sufficiency is to know how to apply ourselves to divers employments. ‘Tis to be, but not to live, to keep a man’s self tied and bound by necessity to one only course; those are the bravest souls that have in them the most variety and pliancy. Of this here is an honourable testimony of the elder Cato:

“His parts were so pliable to all uses, that one would say he had been born only to that which he was doing.” Livy, xxxix. 49.

I do like the sense of a personal narrative. It helps make sense of it all. And along with the ‘can I look myself in the mirror test’ it keeps me on the right and proper path. But a sense of narrative shouldn’t be to the exclusion of Montaigne’s ‘divers employments’ and mixing it up a bit.

As my old tutor points out, a narrative can be both self-limiting and then dangerously self-fulfilling. Variety is the spice of life – and you only get one shot at it.

Montaigne on Virtue

20120410-112035.jpgThree hundred and one dailylit.com episodes of Essays in and Michel de Montaigne serves up another view I 100% agree with, five centuries on. When it comes to ethics the the answer is staring you in the face – in the bathroom mirror.

To ground the recompense of virtuous actions upon the approbation of others is too uncertain and unsafe a foundation, especially in so corrupt and ignorant an age as this.

“What before had been vices are now manners.” – Seneca

You yourself only know if you are cowardly and cruel, loyal and devout: others see you not, and only guess at you by uncertain conjectures, and do not so much see your nature as your art; rely not therefore upon their opinions, but stick to your own:

“Thou must employ thy own judgment upon thyself; great is the weight of thy own conscience in the discovery of virtues and vices: which taken away, all things are lost.” – Cicero

Or as my son’s preferred sage Master Yoda might say: the keeper of your own conscience are you.

Daubing

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I read a while ago that physicists were arguing over the wisdom of analysing the complete dataset from the latest probe which is measuring the cosmic microwave background radiation.

Why? Because from it we will soon have all the data it is possible for us to have on the origins of the universe. And if we analyse it all, we will have closed the book of history on our ultimate origins – there will be nothing more for future generations of physicists to know.

I was reminded of this by a lively conversation on the history of Western Art the other day. I’ve recently bought myself a primer which takes you from cave paintings to cubism and contemporary modern art.

In the early pages, just how small the sliver is, of what survives from antiquity, becomes obvious. There are no paintings, often no original statues and incredibly few fragments from entire cities, kingdoms and civilisations. The ‘cosmic background radiation’ of western culture is largely mapped. What we have is probably all there is.

But although only a fragment, it has been a treasure trove down the centuries. In the writings of Montaigne, his many references to Plutarch, Seneca, Horace et al were the ‘classical education’ which in his time (or in fact slightly before it as he lamented) were the gold standard. A Renaissance man who knew his ‘Greats’, knew everything that was worth knowing.

Paraphrasing Wikipedia, perhaps there is still something to be said for ‘Philo’s Rule’ of ‘classical education’: preserving those words and ideas which impart intellectual and aesthetic appreciation of “the best, which has been thought and said in the world”.

For the polymath, history is the easiest framework on which to hang intellectual curiosity. The past is finite. But, unlike the cosmic background radiation, the arrow of time for the living is forwards – at least for a few decades.

So, I think there’s a balance to strike between a good investment in “the best” that has been thought, said and painted, and keeping abreast of the ephemera of today. History has winnowed and filtered, but it has also carelessly and randomly mulched, ignored and forgotten.

Time marches on. And who knows which of today’s ‘cave paintings’ will be remembered 10,000 years from now. Daubing is as important as appreciating the daubing of others.

The Fear of Dying

20111224-222302.jpgA good friend’s mother died last week. But we went to the footie together on Wednesday, as we’d planned despite – and because of it.

We didn’t talk much about it, but talking to others, one of the things in anyone’s head when parents die is: who will I turn to when I need some help? Some advice? Some love? Someone to be unconditionally proud of me?

Then there’s the realisation – I’m next. No-one can bear the thought of burying their own child, so the inescapable conclusion has to be that the least worst outcome is – I go next.

When I was worried about cancer 18 months ago I read David Servan-Schrieber’s excellent book Anticancer. Since then I’ve recommended it to four people – two diagnosed, one with a brother diagnosed and one with a terminal friend.

There’s a chapter I’ve mentioned to all four which describes the six worst fears about dying. I found it hard to read – it made my heart beat faster and feeling of anxiety rise in my chest. I knew I’d want to read it again – but couldn’t bring myself to do it, until today, remembering my friend.

Servan-Schreiber himself died this year, which feels strange. In a way he was speaking in the abstract when I read it last – now he’s been there and done it. This time though, the chapter didn’t make me anxious at all. The cloud of cancer has lifted from over my head. But also writing and reading Montaigne and others on death has defused the bomb for me – at least for now.

I feel calmer at the prospect of death, not least because I now have some answers for the six greatest fears:

1) The fear of suffering: as Montaigne convincingly tells, Mother Nature gives us all we need to cope at the end – dehydration, delirium, distance, departure.

2) The fear of nothingness: people and increasingly science concur: Oxygen depletion automatically creates a welcoming white light to which we are drawn, leaving only an eternal moment to reflect on the unique trace on the universe we have left with our lives.

3) The fear of dying alone: Servan-Schreiber quotes someone else’s advice: ‘Escape the prison of positive thinking’, accept time’s up and make your peace with those around you so they can cope with being near.

4) The fear of being a burden: Servan-Schreiber makes a good point, that in death rather than being ‘useless’ we become pioneers and guides for everyone close to us – we’re all going on this journey.

5) The fear of abandoning your children: an enormous amount of resourcefulness has already been carefully placed there – love, confidence, care – which they will draw on their whole lives.

6) The fear of unfinished stories: as Mike Oldfield says in ‘The living years’ – say it now, say it loud. Say the things you always wanted to say and do the things you wanted to do – or get over them. I reckon I’ve already had a good knock and said most of what I need – so far – to say to those who matter the most.

‘Pretty, act young, be fearless’ – as ‘Scorpios’, my choice of funeral music goes. I still have my folks though, so perhaps I’m kidding myself.

Against Idleness

20111129-095156.jpgA friend and I discussed yesterday whether ‘perpetual activity’ is simply a function of my work and life stage – or is it my underlying temperament. In a previous conversation, he put to me, that the ceaseless activity I observe in my daughter might suggest ‘the fruit never falls far from the tree’.

I think of myself as basically liking my rest. I’m just not allowed any. My family all seem to feel me sitting down means they need to spur me to action. Sitting down for them is me signalling a desire to be reactivated. I routinely stay on my feet at home, to keep them from ‘tasking’ me further.

Similarly at work, keeping busy is my way. If things are in good order, I instinctively seek some ‘new’ things to make happen – at times to the chagrin of those around me.

I blame the Emperor Vespasian as quoted by Montaigne in his essay ‘Against Idleness’ which I read the other day:

The Emperor Vespasian, being sick of the disease whereof he died, did not for all that neglect to inquire after the state of the empire, and even in bed continually despatched very many affairs of great consequence; for which, being reproved by his physician, as a thing prejudicial to his health, “An emperor,” said he, “must die standing.”

A fine saying, in my opinion, and worthy of a great prince. The Emperor Adrian since made use of the same words, and kings should be often put in mind of them, to make them know that the great office conferred upon them of the command of so many men, is not an employment of ease; and that there is nothing can so justly disgust a subject, and make him unwilling to expose himself to labour and danger for the service of his prince, than to see him, in the meantime, devoted to his ease and frivolous amusement, and to be solicitous of his preservation who so much neglects that of his people.

Never sitting down and avoiding any whiff of ‘ease’ or ‘frivolous amusement’ in my domestic and working life have become habits. We are what we repeatedly do. Just need to keep standing.