Terse Verse

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If music be the food of love
Is poetry a bowlful of life?

A question crossed my mind the other day – do I only spontaneously write poetry when I’m cross about something? I’m sure I’ve written happy poems, but the impulse to bash out some verse seems to come more often than not through irritation, stress or annoyance. And often banal and mundane at that – from flat tyres to ineffective dishwasher tablets. Take this one:

Duzzit doesn’t

Rare to see such disinformation
In a modern formulation
Dishwasher tablets are all the same?
But Duzzit is to blame
No discernible cleaning
A film all over my pots
Unilever and P&G may be pricey
But their brands leave no spots.

This set me thinking. I read a few months back that musicians live longer, poets die sooner. Is it a bit like comedians? Making people laugh is – by all accounts – a sad person’s trade.

Perhaps it varies from person to person. But, for me, I think poetry comes more often as a venting of steam than a bucolic breeze. Still, better out than in.

Keeping the home campfires burning

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April fools under canvas
Sunlit striking
Followed by lightning
Humans huddle
Around a smoky campfire
Back to basics
Hot and cold comforts
Austerity Britain
Keeping afloat with the Joneses
Unseasonal camping confirms
Keeping warm
With friends and family
Is all.

Despite my diffidence, we were early out of the traps for camping this year. Forecasts (realised) of thunder storms and temperatures of 2 degrees C were enough to deter six out of seven families on our first night – but not us.

Joined at midnight by family number two and then plucky three and four on the second day, it was initially very wet, then cold, then bright and breezy. In a man-made return to pre-history, a fire makes it bearable.

And once the kids are off to bed, with a glass of something warming in hand, there’s a camaraderie about camping which brings out the best in people. Everyone’s struggling a bit in this recession, but we’re keeping the home and camp fires burning.

Competitive Dad

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Competitive Dad
Get your fleece off honey!
Competitive Dad
Get your hands in the air!
Competitive Mum
Get in tighter!
Competitive Mum
Get your hands in there!
Bemused Daughter
Alright, alright!
Bemused Daughter
Would you both stand over there.

Our standard position is “We’re not really competitive people in our house”. But the missus and my behaviour yesterday put a dent in that theory. I found myself the only adult shouting at my daughter’s end of term school netball completion, except for… my other half.

It’s the first time in my life I’ve attended a competitive team sporting fixture in which my daughter was playing. And what an extraordinary experience that is. I was rooting for her, so much I couldn’t stand still and certainly couldn’t help trying to catch her eye and shouting advice at her.

I need to learn from my own Dad: arrive without fanfare, be present, then quietly disappear.

Lost in Translation

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As I read and write more, I come to enjoy the turns of phrase of past times. I’m not arguing for Chaucer in the original – life’s too short. But the thundering prose of the King James Bible or a decent translation of Aristotle, for example.

Having learnt that ‘plot’ is everything in poetry, I largely fell for Aristotle’s Poetics based on one line:

The getting-up of the spectacle is more a matter for the costumier than the poet.

I’ve quoted this at work a few times to point out the job at hand – substance not spin. And I found myself quoting it to the missus last night having watched ‘The Immortals’, which I found a big disappointment.

I do enjoy a good ‘sword and sandals’ epic, and I really wanted to like it. But ‘The Immortals’ managed to make very little of the ‘plot’ of Theseus, whilst expending far too much effort on the costumes and CGI. They even ripped off Maximus’s helmet from ‘Gladiator’ for an all too boyish Zeus (see above).

Ridley Scott knows, as Aristotle said, that: the first essential – the life and soul of Tragedy – is the Plot. I fear the Director of last night’s disappointing fayre, was reading the more leaden modern translation of my favourite ‘Poetics’ quote, from the duff version I bought on my Kindle:

The production of spectacular effects depends more on the art of the stage machinist than on that of the poet.*

Too much stage-machinist and not enough poet in ‘The Immortals’ for me. Had Aristotle seen it, he’d be gently shaking his head – more in sadness than in anger. Theseus, the founding myth of Ancient Greece, was very much lost in translation.

*So if you’re buying Aristotle’s Poetics, I’d buy Ingram Bywater’s 1920 OUP translation, which you can get for free on dailylit.com.

Botch Job

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Garden fencing
Ageing woodwork
Down comes the fence post
On a cold winter’s day
Sent out to repair it
With red hands
And blue notes
Patched up
Lashed up
Botched-up repairs

Cats promenading
Balancing on my fence post
Off comes the trellis
From my botched-up repairs

First day of sunshine
Sent to have another go
Drill bits
Rawl plugs
New screws and old
Ugly repair job
Patched up
Lashed up
Botched-up repairs

Were he still alive, my Dad’s Dad would have been proud of this one. A notorious botcher, he fashioned the ideal (for him) lifestyle accompaniment from an orange box, plywood, screws and nails.

A footstool-cum-occasional-table, its four sides held his betting slips, racing tips, pools coupons and newspaper as well as being a handy place to rest a cuppa. Splinters and gaudy fruit trademarks were the real drawbacks. But he was happy with it.

I can’t really say the same for my botch job – 8 different screw types, restraining stays which neither match nor fit and none of which are quite true. The old man’s genes have reached through time. But he’d have a good chuckle at a proper botch job.